An Actor's End

SHTCHIPTSOV, the "heavy father" and "good-hearted simpleton," a
tall and thick-set old man, not so much distinguished by his talents
as an actor as by his exceptional physical strength, had a desperate
quarrel with the manager during the performance, and just when the
storm of words was at its height felt as though something had snapped
in his chest. Zhukov, the manager, as a rule began at the end of
every heated discussion to laugh hysterically and to fall into a
swoon; on this occasion, however, Shtchiptsov did not remain for
this climax, but hurried home. The high words and the sensation of
something ruptured in his chest so agitated him as he left the
theatre that he forgot to wash off his paint, and did nothing but
take off his beard.

When he reached his hotel room, Shtchiptsov spent a long time pacing
up and down, then sat down on the bed, propped his head on his
fists, and sank into thought. He sat like that without stirring or
uttering a sound till two o'clock the next afternoon, when Sigaev,
the comic man, walked into his room.

"Why is it you did not come to the rehearsal, Booby Ivanitch?" the
comic man began, panting and filling the room with fumes of vodka.
"Where have you been?"

Shtchiptsov made no answer, but simply stared at the comic man with
lustreless eyes, under which there were smudges of paint.

"You might at least have washed your phiz!" Sigaev went on. "You
are a disgraceful sight! Have you been boozing, or . . . are you
ill, or what? But why don't you speak? I am asking you: are you
ill?"

Shtchiptsov did not speak. In spite of the paint on his face, the
comic man could not help noticing his striking pallor, the drops
of sweat on his forehead, and the twitching of his lips. His hands
and feet were trembling too, and the whole huge figure of the
"good-natured simpleton" looked somehow crushed and flattened. The
comic man took a rapid glance round the room, but saw neither bottle
nor flask nor any other suspicious vessel.

"I say, Mishutka, you know you are ill!" he said in a flutter.
"Strike me dead, you are ill! You don't look yourself!"

Shtchiptsov remained silent and stared disconsolately at the floor.

"You must have caught cold," said Sigaev, taking him by the hand.
"Oh, dear, how hot your hands are! What's the trouble?"

"I wa-ant to go home," muttered Shtchiptsov.

"But you are at home now, aren't you?"

"No. . . . To Vyazma. . . ."

"Oh, my, anywhere else! It would take you three years to get to
your Vyazma. . . . What? do you want to go and see your daddy and
mummy? I'll be bound, they've kicked the bucket years ago, and you
won't find their graves. . . ."

"My ho-ome's there."

"Come, it's no good giving way to the dismal dumps. These neurotic
feelings are the limit, old man. You must get well, for you have
to play Mitka in 'The Terrible Tsar' to-morrow. There is nobody
else to do it. Drink something hot and take some castor-oil? Have
you got the money for some castor-oil? Or, stay, I'll run and buy
some."

The comic man fumbled in his pockets, found a fifteen-kopeck piece,
and ran to the chemist's. A quarter of an hour later he came back.

"Come, drink it," he said, holding the bottle to the "heavy father's"
mouth. "Drink it straight out of the bottle. . . . All at a go!
That's the way. . . . Now nibble at a clove that your very soul
mayn't stink of the filthy stuff."

The comic man sat a little longer with his sick friend, then kissed
him tenderly, and went away. Towards evening the _jeune premier_,
Brama-Glinsky, ran in to see Shtchiptsov. The gifted actor was
wearing a pair of prunella boots, had a glove on his left hand, was
smoking a cigar, and even smelt of heliotrope, yet nevertheless he
strongly suggested a traveller cast away in some land in which there
were neither baths nor laundresses nor tailors. . . .

"I hear you are ill?" he said to Shtchiptsov, twirling round on his
heel. "What's wrong with you? What's wrong with you, really? . . ."

Shtchiptsov did not speak nor stir.

"Why don't you speak? Do you feel giddy? Oh well, don't talk, I
won't pester you . . . don't talk. . . ."

Brama-Glinsky (that was his stage name, in his passport he was
called Guskov) walked away to the window, put his hands in his
pockets, and fell to gazing into the street. Before his eyes stretched
an immense waste, bounded by a grey fence beside which ran a perfect
forest of last year's burdocks. Beyond the waste ground was a dark,
deserted factory, with windows boarded up. A belated jackdaw was
flying round the chimney. This dreary, lifeless scene was beginning
to be veiled in the dusk of evening.

"I must go home!" the _jeune premier_ heard.

"Where is home?"

"To Vyazma . . . to my home. . . ."

"It is a thousand miles to Vyazma . . . my boy," sighed Brama-Glinsky,
drumming on the window-pane. "And what do you want to go to Vyazma
for?"

"I want to die there."

"What next! Now he's dying! He has fallen ill for the first time
in his life, and already he fancies that his last hour is come. . . .
No, my boy, no cholera will carry off a buffalo like you. You'll
live to be a hundred. . . . Where's the pain?"

"There's no pain, but I . . . feel . . ."

"You don't feel anything, it all comes from being too healthy. Your
surplus energy upsets you. You ought to get jolly tight--drink,
you know, till your whole inside is topsy-turvy. Getting drunk is
wonderfully restoring. . . . Do you remember how screwed you were
at Rostov on the Don? Good Lord, the very thought of it is alarming!
Sashka and I together could only just carry in the barrel, and you
emptied it alone, and even sent for rum afterwards. . . . You got
so drunk you were catching devils in a sack and pulled a lamp-post
up by the roots. Do you remember? Then you went off to beat the
Greeks. . . ."

Under the influence of these agreeable reminiscences Shtchiptsov's
face brightened a little and his eyes began to shine.

"And do you remember how I beat Savoikin the manager?" he muttered,
raising his head. "But there! I've beaten thirty-three managers in
my time, and I can't remember how many smaller fry. And what managers
they were! Men who would not permit the very winds to touch them!
I've beaten two celebrated authors and one painter!"

"What are you crying for?"

"At Kherson I killed a horse with my fists. And at Taganrog some
roughs fell upon me at night, fifteen of them. I took off their
caps and they followed me, begging: 'Uncle, give us back our caps.'
That's how I used to go on."

"What are you crying for, then, you silly?"

"But now it's all over . . . I feel it. If only I could go to
Vyazma!"

A pause followed. After a silence Shtchiptsov suddenly jumped up
and seized his cap. He looked distraught.

"Good-bye! I am going to Vyazma!" he articulated, staggering.

"And the money for the journey?"

"H'm! . . . I shall go on foot!"

"You are crazy. . . ."

The two men looked at each other, probably because the same thought
--of the boundless plains, the unending forests and swamps--
struck both of them at once.

"Well, I see you have gone off your head," the _jeune premier_
commented. "I'll tell you what, old man. . . . First thing, go to
bed, then drink some brandy and tea to put you into a sweat. And
some castor-oil, of course. Stay, where am I to get some brandy?"

Brama-Glinsky thought a minute, then made up his mind to go to a
shopkeeper called Madame Tsitrinnikov to try and get it from her
on tick: who knows? perhaps the woman would feel for them and let
them have it. The _jeune premier_ went off, and half an hour later
returned with a bottle of brandy and some castor-oil. Shtchiptsov
was sitting motionless, as before, on the bed, gazing dumbly at the
floor. He drank the castor-oil offered him by his friend like an
automaton, with no consciousness of what he was doing. Like an
automaton he sat afterwards at the table, and drank tea and brandy;
mechanically he emptied the whole bottle and let the _jeune premier_
put him to bed. The latter covered him up with a quilt and an
overcoat, advised him to get into a perspiration, and went away.

The night came on; Shtchiptsov had drunk a great deal of brandy,
but he did not sleep. He lay motionless under the quilt and stared
at the dark ceiling; then, seeing the moon looking in at the window,
he turned his eyes from the ceiling towards the companion of the
earth, and lay so with open eyes till the morning. At nine o'clock
in the morning Zhukov, the manager, ran in.

"What has put it into your head to be ill, my angel?" he cackled,
wrinkling up his nose. "Aie, aie! A man with your physique has no
business to be ill! For shame, for shame! Do you know, I was quite
frightened. 'Can our conversation have had such an effect on him?'
I wondered. My dear soul, I hope it's not through me you've fallen
ill! You know you gave me as good . . . er . . . And, besides,
comrades can never get on without words. You called me all sorts
of names . . . and have gone at me with your fists too, and yet I
am fond of you! Upon my soul, I am. I respect you and am fond of
you! Explain, my angel, why I am so fond of you. You are neither
kith nor kin nor wife, but as soon as I heard you had fallen ill
it cut me to the heart."

Zhukov spent a long time declaring his affection, then fell to
kissing the invalid, and finally was so overcome by his feelings
that he began laughing hysterically, and was even meaning to fall
into a swoon, but, probably remembering that he was not at home nor
at the theatre, put off the swoon to a more convenient opportunity
and went away.

Soon after him Adabashev, the tragic actor, a dingy, short-sighted
individual who talked through his nose, made his appearance. . . .
For a long while he looked at Shtchiptsov, for a long while he
pondered, and at last he made a discovery.

"Do you know what, Mifa?" he said, pronouncing through his nose "f"
instead of "sh," and assuming a mysterious expression. "Do you know
what? You ought to have a dose of castor-oil!"

Shtchiptsov was silent. He remained silent, too, a little later as
the tragic actor poured the loathsome oil into his mouth. Two hours
later Yevlampy, or, as the actors for some reason called him,
Rigoletto, the hairdresser of the company, came into the room. He
too, like the tragic man, stared at Shtchiptsov for a long time,
then sighed like a steam-engine, and slowly and deliberately began
untying a parcel he had brought with him. In it there were twenty
cups and several little flasks.

"You should have sent for me and I would have cupped you long ago,"
he said, tenderly baring Shtchiptsov's chest. "It is easy to neglect
illness."

Thereupon Rigoletto stroked the broad chest of the "heavy father"
and covered it all over with suction cups.

"Yes . . ." he said, as after this operation he packed up his
paraphernalia, crimson with Shtchiptsov's blood. "You should have
sent for me, and I would have come. . . . You needn't trouble about
payment. . . . I do it from sympathy. Where are you to get the money
if that idol won't pay you? Now, please take these drops. They are
nice drops! And now you must have a dose of this castor-oil. It's
the real thing. That's right! I hope it will do you good. Well,
now, good-bye. . . ."

Rigoletto took his parcel and withdrew, pleased that he had been
of assistance to a fellow-creature.

The next morning Sigaev, the comic man, going in to see Shtchiptsov,
found him in a terrible condition. He was lying under his coat,
breathing in gasps, while his eyes strayed over the ceiling. In his
hands he was crushing convulsively the crumpled quilt.

"To Vyazma!" he whispered, when he saw the comic man. "To Vyazma."

"Come, I don't like that, old man!" said the comic man, flinging
up his hands. "You see . . . you see . . . you see, old man, that's
not the thing! Excuse me, but . . . it's positively stupid. . . ."

"To go to Vyazma! My God, to Vyazma!"

"I . . . I did not expect it of you," the comic man muttered, utterly
distracted. "What the deuce do you want to collapse like this for?
Aie . . . aie . . . aie! . . . that's not the thing. A giant as
tall as a watch-tower, and crying. Is it the thing for actors to
cry?"

"No wife nor children," muttered Shtchiptsov. "I ought not to have
gone for an actor, but have stayed at Vyazma. My life has been
wasted, Semyon! Oh, to be in Vyazma!"

"Aie . . . aie . . . aie! . . . that's not the thing! You see, it's
stupid . . . contemptible indeed!"

Recovering his composure and setting his feelings in order, Sigaev
began comforting Shtchiptsov, telling him untruly that his comrades
had decided to send him to the Crimea at their expense, and so on,
but the sick man did not listen and kept muttering about Vyazma
. . . . At last, with a wave of his hand, the comic man began talking
about Vyazma himself to comfort the invalid.

"It's a fine town," he said soothingly, "a capital town, old man!
It's famous for its cakes. The cakes are classical, but--between
ourselves--h'm!--they are a bit groggy. For a whole week after
eating them I was . . . h'm! . . . But what is fine there is the
merchants! They are something like merchants. When they treat you
they do treat you!"

The comic man talked while Shtchiptsov listened in silence and
nodded his head approvingly.

Towards evening he died.